City of Refuge: Slavery and Petit Marronage in the Great Dismal Swamp, 1763-1856

Christian Brooks Keeve (University of Kentucky) on Marcus P. Nevius’ City of Refuge: Slavery and Petit Marronage in the Great Dismal Swamp, 1763-1856
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Coal Country: The Meaning and Memory of Deindustrialization in Postwar Scotland

Jay Emery (University of Sheffield) on Ewan Gibbs’ Coal Country: The Meaning and Memory of Deindustrialization in Postwar Scotland
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After Geoengineering: Climate Tragedy, Repair, and Restoration

Karen Kinslow (University of Kentucky) on Holly Jean Buck’s After Geoengineering: Climate Tragedy, Repair, and Restoration
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Scammer’s Yard: The Crime of Black Repair in Jamaica

Beverley Mullings (Queen’s University) on Jovan Scott Lewis’ Scammer’s Yard: The Crime of Black Repair in Jamaica
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Rentier Capitalism: Who Owns the Economy, and Who Pays for It?

Erik Peinert (Brown University) on Brett Christophers’ Rentier Capitalism: Who Owns the Economy, and Who Pays for It?
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Book Review Symposium – “Black in Place: The Spatial Aesthetics of Race in a Post-Chocolate City”

Introduction – Jovan Scott Lewis (University of California, Berkeley) Commentary 1 – Juleon Robinson (University of California, Berkeley) Commentary 2 – Ashanté M. Reese (University of...
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The Conservation Revolution: Radical Ideas for Saving Nature Beyond the Anthropocene

Ariadne Collins (University of St Andrews) on Bram Büscher and Robert Fletcher’s The Conservation Revolution: Radical Ideas for Saving Nature Beyond the Anthropocene
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The Voucher Promise: “Section 8” and the Fate of an American Neighborhood

Kassandra Manriquez (New York University) on Eva Rosen’s The Voucher Promise: “Section 8” and the Fate of an American Neighborhood
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Greening the Black Urban Regime: The Culture and Commerce of Sustainability in Detroit

Rebecca Kinney (Bowling Green State University) on Alesia Montgomery’s Greening the Black Urban Regime: The Culture and Commerce of Sustainability in Detroit
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The Chinese Atlantic: Seascapes and the Theatricality of Globalization

Hadley Howes (Queen’s University) on Sean Metzger’s The Chinese Atlantic: Seascapes and the Theatricality of Globalization
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